Forgiveness Can You Imagine - Free Essay Example

Sample details Pages: 5 Words: 1478 Downloads: 1 Date added: 2019/06/26 Category Society Essay Level High school Topics: Forgiveness Essay Did you like this example? Its a bright morning, the sun shining like a luminous beacon in the sky. Although its fairly early, the streets are already alive with the hustle and bustle of people. A young woman walks towards a quaint coffee shop. Don’t waste time! Our writers will create an original "Forgiveness: Can You Imagine" essay for you Create order Her name is Kierra. She stands in line, waiting to order her latte with a shot of kindness- you can never go wrong with kindness. A slight buzz attracts her attention. They are waking up. They are her imaginary friends, inside her head. Or so she thinks. They are not just imaginary friends, they are so much more. They are extensions of herself. You see, Kierra has dissociative identity disorder, also known as multiple personality disorder. A repeated trauma during someones childhood can cause them to develop alters, or multiple personalities aimed to protect the child. They are like conscious thoughts in ones mind. However, they each have their own distinct voice. Its quite fascinating. As the alters wake up, one particular voice rises above everyone else. Its deep and masculine, but not the voice of a full-grown adult male. This is Cadman. Hes fifteen years old, and perhaps, in a different world, in a different time, he would be a general- commanding, logical, ambitious. Inside Kier ras head, he pesters her to order an Americano, like he usually does. When she finally does get to order, she gets a latte with three shots of kindness- just to spite him. She walks back to her apartment on the cobblestone streets of Paris. She walks past a group of three people, who, at first, look like regular citizens, but upon closer inspection, they are all wearing mirrored sunglasses and the same pendant, of a sun and two crossed swords, around their necks. Of course, Kierra pays no attention to them, assuming that theyre just citizens or tourists- albeit a bit strange. However, all three of them turn around simultaneously, staring at her retreating figure almost creepily. They glance at each other, the sunlight reflecting off their sunglasses. In her apartment, Kierra gets ready to work when she notices a shriveled little paw lying on the kitchen counter. She has had this for awhile, but never knew where it came from, and neither do the alters. She has gaps in her memories, things she cannot remember. The alters keep a lot of her brutal memories away from her so that she is not hurt or traumatized even further. Her memories are like one, giant puzzle with a bunch of missing pieces; pieces that the alters have. Last week, she took the paw to a magic shop and the owner told her that it had once belonged to a powerful fakir and supposedly granted three wishes to whoever possessed it. As Kierra reaches for a glass of water, she suddenly feels her vision getting blurry, and she enters a state of unconsciousness. When this happens, it means that an alter has taken control of her body- but she doesnt know it. Now, Kierra is Cadman- in Kierras body. The alters have been planning this for awhile. They want to test the necklace. If it truly works, they can be given more resources to protect Kierra. Cadman- well, Cadman in Kierras body, but Cadman all the same- reaches over and grabs the paw. I wish for more magic power so I can protect Kierra, Cadman speaks in an authoritative voice. The paw glows faintly, and it wiggles in Cadmans palm. Startled, he drops it but then places it back on the counter and allows Kierra to take control of her body again. As Kierra comes back in her own state of mind, and her body, she feels a strange sensation. Normally, she feels fine after one of these episodes, just a little confused. However, this time is different. Her ears are ringing and she feels dizzy, faint, and weak. She can barely stand, and has to lean on the counter for support. What is going on? I dont remember being this weak. Above the ringing, she can vaguely make out two voices shouting in her head: one is Cadman, and the other is a young female voice with a British accent. This is Athena. Shes quite young, only ten, but a prodigy with a genius mind to rival Albert Einstein himself. Are you crazy? Look what you just did! she says. Shes drained of her energy and power! Well, I didnt know! Cadman fires back. At least I have more power now! Ugh. We have to fix this. Quickly, Athena takes over Kierras body and wishes on the necklace. I want to have more knowledge. What?! How is that going to fix our problem?! We will know how to fix it! Kierra regains control, but still feels faint- and very, very confused. For some reason, she feels as if she cannot comprehend anything. 2 plus 2 is wait. What? Why cant I remember? Its just simple math! Why cant I remember anything? Why am I so weak? Why? What is going on?! she shouts frustratingly to an empty apartment. The birds that have perched on her window scatter into the breeze. Wow, our problem is solved, Cadman quips sarcastically. Now she cannot think straight! Shut up! I make mistakes sometimes! Athena says. Ill just wish to revert our wishe- Unbeknownst to them, Kierra grabs the paw and makes a wish. I wish I knew what was going on! she shouts. Uh oh. Cadman glances at Athena. Well, I guess theres no hiding anything from her anymore. The paw wriggles and memories swirl around Kierra. It is like watching a movie- except it is a movie of her life. A woman sitting with a little girl at a piano, her fingers dancing across the ivory keys while sunlight filters in through the window. A man standing with a little girl, blowing bubbles in a beautiful garden with bright roses and fresh green grass. A dark night. Screaming, blood, and a group of strange people with black masks and pendants of a sun and two crossed swords. A shriveled little paw, hung on a chain, pressed into a small hand. A womans breathy voice: Keep it with you, always. We love you, my dar- Good. Youve captured their daughter, I see. A cruel mans face, with gleaming red eyes. A sharp, stinging pain. A whip, chains, blood on a cold grey wall. Stop! Please! It hurts! More blood. Blurry eyesight, tears dripping onto stone. Cadman, youll always protect me, right? Like a big brother? Of course. I am very powerful, and youll be safe. Kierra jerks back to the present, feeling even dizzier than before. The voices in her head have gone silent. Her face is as white as a ghost. Athena speaks up. Sorry for keeping you from all this, but it was for your own good. Kierra doesnt say anything. Let me explain. You have dissociative identity disorder and were your alters. That was all Kierra needed to hear. Her friend had taken a psychology course in high school, and told her about this rare occurrence. As she is trying to take it all in, a sudden explosion startles her- and the alters in her head. Three people, heavily armed, stand in the remains of what used to be Kierras front door. Wreathed in dust and smoke, they wear reflective sunglasses, and pendants on their necks. Weve found you. That magic signature is very distinct. Kierra and the alters recognize the pendants on their necks: a sun with two crossed swords. Fear claws its way up into their minds, smoky, inky, and dark. Kierras thudding heartbeat increases, echoing in her ears. Thump. Thump. Thump. No! Cadman screams. Kierra, let me take over! I have extensive military skill and black belts in five different martial arts! Kierra, I can help you devise a strategy! Athena says, the gears of her mind already turning. The guy on the left seems to have a smaller stature than the rest, which means that he- No, dont worry. Kierra cuts through both of them. She walks up to the three figures calmly. Kierra, what are you doing?! Cadman yells. Theyre going to kill you! They hurt you! Good, now come to us like a good girl. No more escaping. Well take you and the paw back. The catacombs are waiting, the one in the middle says. Kierra smiles at them, sweet and charming. It doesnt have to be this way, you know. I know that inside, youre good! Everyone deserves to have a second chance. She holds out her hand, as an olive branch, a peace offering. All three pause for just a second, gazing at Kierra behind their mirrored sunglasses. It happens in a flash. The alters cannot do anything about it. Sunglasses reflect Kierras limp form, a sword impaled through her stomach. The alters whisper their last word: forgiveness.

The Spanish Colonization Of Latin America Essay - 1270 Words

Because the Indians and Spanish lived in different areas in Latin America, the Indian culture and society did not change significantly. Or did there society change? The Spanish colonizers had a huge influence on the indigenous peoples of Mexico and Peru’s, culture, language, traditions, religion, even on their native food. One can say that this came into being shortly after Columbus discovered the New World. The Spanish conquistadors, who sailed with Columbus to the New World, were the first to leave their mark on the new territory. We still see some of these traditions in today’s society. The Spanish taught the Indians of their oral traditions of legends and jokes, music, food, beliefs, and customs. The Indians even picked up on their native tongue, Spanish, and used it as their own and still do to this day. There are many things in the Mexican culture which have contributed to the shaping and molding of the modern Latino society, such as the Mexican history, culture, language, religion, and traditions. The Indigenous culture is not simply a blend of Mexico used to be, but the results of a unique historical process that developed with an originality all its own. This culture was divided into many different social classes after the Spanish took the reins. Like they started to develop a governmental system for the Indigenous people and they started to tax them with the Bourbon Reforms. Many Indigenous people hated the thought of this so they took matters in to their ownShow MoreRelatedThe Spanish Colonization Of Latin America1270 Words   |  6 PagesBecause the Indians and Spanish lived in different areas in Latin America, the Indian culture and society did not change significantly. Or did there society change? 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Elegy Written In A Country Chrchyard Essay free essay sample

, Research Paper ELEGY ( WRITTEN IN A COUNTRY CHURCHYARD ) Thomas Gray? s Elegy laments the decease of life in general while mourning long gone ascendants and exhibiting the passage made by the talker, from heartache and mourning to acceptance and trust. It was written in 1742 and revised to its published signifier in 1746, and is one of the three high spots of the elegiac signifier in English literature, the others being Milton? s? Lycidas? and Tennyson? s In Memoriam. It was foremost published, anonymously, in 1751, under the rubric # 8220 ; An Elegy wrote in a State Churchyard. # 8221 ; Although believed to be started in 1742 the exact day of the month of composing of the Elegy, apart from the reasoning stanzas, can non be precisely determined. The Elegy was concluded at Stoke Poges in June, 1750, where Gray was buried. The Gods acre as described by Gray is typical instead than peculiar ; of the five disputed # 8220 ; masters # 8221 ; Stoke Poges bears the least resemblance to the cemetery in the Elegy. The verse form starts off dark and drab frequently bestiring images of decease. The first four stanzas set up the clip and scene of the verse form. There was a curfew around the clip that this was written and the first line supports this. It was wrung at eight Os? clock as a signal for snuff outing fires and marked the terminal of the twenty-four hours. The first stanza besides includes a? ploughman? ( line 3 ) who, after a difficult twenty-four hours, is on his manner place. There is a? solemn hush? ( line6 ) which besides suggests dusk or some clip in the eventide. Line 15 topographic points the talker in the verse form in a cemetery. ? Each in his narrow cell everlastingly laid? ( line 15 ) describes people resting everlastingly in their narrow cells, which are normally associated with caskets or the narrow Gravess that they were placed into. The talker of the verse form so goes on to speak about the lost pleasances of the dead. Line 21 starts depicting these pleasances by utilizing a fireplace or a hearth which symbolises the visible radiation of life. The ? sires? mentioned in the 4th stanza will no longer experience the heat of the fire ( line 21 ) or the love of a adult female ( line 22 ) . They will non see being welcomed by their childs when they come place from work or the Fieldss ( line23 ) and holding them? mount their articulatio genuss? for a buss. All these things are worldly pleasures that the dead will no longer experience. Stanzas seven through nine trade with decease as a portion of life. For case, in line 29 and 30 the talker provinces that they shouldn? t allow their aspirations confuse their fate, intending the dead. Every one of us awaits the? inevitable hr? ( line35 ) and all our work, wealth, ownerships and beauty that our life bestows on us all lead to the same? waies? . ? The waies of glorification? ( line 36 ) which? lead but to the grave? . This besides evokes the feeling of hopelessness ( brought approximately by the decease of his friend ) which Gray must hold been traveling through at the clip he wrote this. The basic construct of these few stanzas is that no affair what one does in his or her life and how valuable he or she believes it is one can non get away decease ; decease is inevitable. The following subdivision of the lament ( stanzas 10 -15 ) goes into the description of T he unhonored dead or people who received no acknowledgment for their life? s work. We foremost see this in line 45 where the talker poses a inquiry. ? Possibly in this ignored topographic point is laid / Some bosom # 8230 ; fire? are the two lines that present the inquiry who lies in this grave? and are they of import? The talker so says that there are many great people born who are neer recognised. Like a flower in a desert they? bloom spiritual world? and ? waste their sugariness on the desert air? ( lines 55-56 ) They could hold been a? small town Hampden? ( line57 ) in mention to John Hampden who defied King Charles I by defying his resurgence of a revenue enhancement on transportation without the consent of the Parliament. The talker besides includes Milton and Cromwell. These people could hold been celebrated but? They kept the noiseless tenor of their manner? ( line 76 ) and take a different manner of life. They were neer of import but they will ever be a? portion of history in a states eyes? ( line 64 ) . They will populate on in the memories of their friends and relations. The people who are being described by the talker could hold been? pregnant with heavenly fire? ( line46 ) , in other words they might hold been particular, but they neer were. However they will populate on everlastingly as ordinary people in our memories: ? # 8230 ; in our ashes live their accustomed fires? ( line 92 ) . This is exemplified in stanza 24 when the talker makes a mention to Gray himself. The talker states that Gray is aware of the? unhonored dead? ( line 93 ) and by associating their? artless narrative? ( line 94 ) forever Burnss their memory into our heads. The Elegy takes a sudden bend in stanza 24. Gray now incorporates himself as an person who might besides be remembered. ? Haply some hoary-headed boyfriend may state? ( line 97 ) or possibly some gray adult male may one twenty-four hours retrieve Gray as he walked with? headlong stairss? ( line 99 ) at? the cheep of morning? ( line 98 ) to see the dawn on the? highland lawn? or tableland. This history continues up to and including stanza 29 where Grey walks into a cemetery and reads his ain headstone which is included as the last three stanzas of the Elegy as the Epitaph. It is non, nevertheless, his headstone but that of his friend. He sees his friend in himself merely as we soon see our sires in ourselves and so he places his ain name on the headstone. By the terminal of the Elegy the talker learns to accept his loss. The realization that life goes on and that the memory of his friend will populate on, merely as his will populate on, helps to get by with the loss. Grey started the Elegy by showing the reader with a quandary. In this instance that quandary was How do I get by with my loss? By the terminal of the Elegy that quandary was answered. The reply was that his friend will live on in his bosom and subsequently in his remains as supported by line 92: ? # 8230 ; in our Ashes live their # 8230 ; fires? . 1. Starr, Herbert W. , erectile dysfunction. Thomas Gray, Elegy Written in a Country Churchyard. Columbus, Ohio: Charles E. Merril Pub. Co. , 1968 2. Young, Robyn L. , erectile dysfunction. Poetry Criticism, vol. 2. Detroit, 1991 3. Magill, Frank N. , erectile dysfunction. Critical Survey of Poetry, English Language Series. California, 1992